Archive for the '2019: spring (midterm)' Category

Group: BPEK a Home.mp3

Composer: Hank Williams: ” A House Without Love”

Brandon Pearson: Vocalist, Instrument

Eren Kiris: Vocalist, Lyrics,

John Bergeron: Engineer

AWKS 104 Recording Studio


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Maybellene Mag

Editor/Layout- JR Atkinson

Contributors- Freya Strasburg, Lauren Shackman, Mitchell Patton, Riley Larsen, Samuel Serxner, Samson Dooley, Cameron Park, Benjamin Kaplan, Matt Chase, Spencer Robbins, Olivia Baglieri, Luke Dewees, Kalib Varela, Olivia Gracey, Giovanni Ortiz

Link to online version-

Maybellene Mag PDF

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Rock Hard: “Don’t Think Twice It’s All Right”

Alex Rogers (Vocals, Lead Guitar, Bass, Asst. Engineer)

Tomas O’Brien (Rhythm Guitar, Percussion, Lead Engineer)

Composer: Bob Dylan, Alex Rogers, Tomas O’Brien

Lyrics: Bob Dylan

Recorded in Bennett 114, Macbook Pro, Garageband

Don’t Think Twice It’s All Right


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Little Feet: “Blue Suede Shoes”

Trevor Dalton (lead vocals)

Corey Silverman-Lloyd (piano, backup vocals)

Stella Ginsberg (drums, piano solo)

Teddy Keegan (viola, assistant engineer)

Composer: Carl Perkins

Lyrics: Carl Perkins

Recorded in Red Feather Studios. Engineered by Keizo Fish.

Blue Suede Shoes

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Filosofia : “Come Back To Me”

Participants: Andres Arango and Miguel Madrid

Music Producer: Miguel Madrid

Vocals: Andres Arango and Miguel Madrid

Original SongCinema Six Eight  by Magic in Threes

Song Writer – Andres Arango

Composed through the use of GarageBand

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The Bleach Boys: “Surfer Girl”

Surfur Gurl


Jacob Zilversmit (Lead Guitar, Bass, Engineer)

Myles Johnson (Vocals, Backup Guitar, Engineer)

Robert Moderelli (Lead Vocals, Drums)

Apple Farrelly (Adlibs, Engineer, Artwork)

Composers: Brian Wilson, Mike Love, Gary Usher, and Robert Christian

Lyrics: Brian Wilson

Recorded in Bennet/Usdan by Jacob Zilversmit, Myles Johnson, and Apple Farrelly

Song: Surfer Girl by The Beach Boys

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The Dirty Bubbles: ‘The Times They Are A Changing’

Marco Gaita (Harmonica, Vocals)

Tucker Kirchberger (Guitar, Mandolin, Vocals)

Owen Verespy (Vocals)

Jack Ryan (Producer)

Jack Dambrosio (Assistant Producer/ Manager)

Recorded in a friend’s basement studio

Writer/ Original Performer Bob Dylan

The Times They Are A Changing

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Peter and the Ankers, The House of the Rising Sun


Matt Beetham: Drums

Andrew McCracken: Guitar

Andrew Jacono: Guitar

Phillipe Bungabong: Vocals

Peter August Anker: coordinator, maker of album cover, assembling the group, producer.

Recorded at Red Feather Music Studio

Recording Engineer: Keizo Fish

Lyrics: Sinn Sisamouth

Cover of The Animals



The House of the Rising Sun


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SHAGA : “Wouldn’t it Be Nice” Remix it be Nice Final.mp4

Producer and engineer: Chloe Malushaga

Original Composers: Brian Wilson, Mike Love, Tony Asher

Lyrics: Brian Wilson

Original Recording information: The instrumental track was recorded at Gold Star Studios on January 22, 1966. The performers were The Beach Boys (Brian Wilson, Mike Love, Al Jardine, Bruce Johnston). The session was engineered by Larry Levine and produced by Brian Wilson.

The music video is a compilation of different clips from YouTube videos I found. Here are the sources/the names of the videos:

Dope Lemon – Neon Lights (Unofficial music video)

Woman walking in wheat field at sunset

The Lumineers – Sleep on Floor

Bishop Briggs – River

ODESZA – Sun Models ft. Madelyn Grant

Edward Sharpe and the Magnetic Zeros – Home (official music video)

Old Surf Movies Pismo and Shell Beach

Dope Lemon – Honey Bones

Dope Lemon – Coyote

Kids Playing at Beach

Fazerdaze (Lucky Girl)


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The Charry Blossoms: “Pearly Gates”

Song title: Pearly Gates

Group Name: The Charry Blossoms

Vocals: Ben Shapiro, Logan Geller, Max Powers

Producer: Shayne Ghallager

Management and A&R: Jackson Eighmy

Sample Beats:
No Diggity- Blackstreet
Modern Slavery- Quavo & Travis Scott
Diablo- Mac Miller

Song URL:


Inside the song:
Our goal going into the making of our song was to find more current rap songs that sample Blues style beats. All three beats we used were hand picked for the way they each meshed modern elements along with elements of Blues, Jazz, and Rock influences. On top of the beats, we wanted our lyrics to reflect knowledge gained from the class thus far. Meshing three different beats together was a challenge, but we pursued this path as we believed it offered the greatest sample of meshing different eras.

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